The Music
A full dancefloor can be planned.
Nineteen years behind the decks, fifteen of them in clubs and on festival stages. What carries there carries on a finca too — dosed differently. I play in blocks of six to ten songs of one genre and then shift harmonically into the next. That way no hole opens between styles — and it is exactly in those holes that dancefloors empty.
What harmonic mixing means
Every song sits in a key. Two songs whose keys clash sound wrong in the transition — even if the tempo matches. Most guests could not tell you why, but they feel it and leave the floor.
Harmonic mixing means choosing the next song not only by tempo and mood but by key. The transition becomes seamless. Two songs merge instead of following each other.
This is not a marketing phrase, it is club craft. In a club you cannot afford a bad transition, because people walk immediately. At a wedding it is less obvious — but it works exactly the same.
Why the flow state is a craft
There is a moment when a dancefloor stops thinking. Nobody checks their phone, nobody drifts to the bar — everyone just keeps dancing. That state is called flow, and it does not happen by itself. It is craft.
I create it with blocks: six to ten songs in one genre, harmonically connected, long enough for the floor to settle in. The change to the next genre comes exactly when the block has peaked — and it comes without a break. Many DJs jump from song to song across all genres instead, and with every style change a part of the crowd walks off. Those gaps are what tears the flow apart.
The rest is reading the room: who is already moving, who is waiting for something, where the night wants to go. That is how the next right song is chosen — and how a set travels from house through hip hop and Latin into the 90s while the floor stays full. Hardly any fluctuation, no empty stretches, everyone in the same pull. One evening, one vibe — music that carries your guests through the night, into the early morning.
From sundowner to sunrise
For the sundowner and cocktail hour I play jazz, acoustic and groovy sounds — music that suits the sun over the sea — in Mallorca the aperitif is the only moment everyone is outside — and carries conversation. From there I build a steady arc of tension towards one moment: your first dance. And after that the party takes off — the kind your guests still talk about at breakfast. This opening has a name: the Sunset Session.
That is why we plan not only the first dance together, but the first ten songs after it. They decide whether all generations step onto the floor together — and stay.
At peak time it gets clubby: club sounds, seamlessly blended, with harmonic mixing until sunrise. A wedding sound with club DNA, tailored precisely to you.
Where I learned this
I started DJing at 13. For the first 15 years I played clubs and festival stages, in front of several thousand people. Among others at Ferdinands Feld Festival, Elektrowiese and Zirkus Elektro. You learn two things there that no course teaches.
Reading a crowd. Who stands where, who is already moving, who is waiting for something. Above all: seeing a mood tip — three songs before it tips.
Deciding under pressure. With a thousand people in front of you there is no time to scroll a playlist. That certainty comes with me to every wedding.
My gift to you
The mixtape of your night.
From the first dance to the wind-down I record my set — and you receive the uncut mixtape of your wedding night. Not just any playlist, but exactly the music you and your guests danced to, with every transition.
Press play years later — and the evening is right back.
What I play
House in all shades, from groovy and melodic at the aperitif to driving at peak time.
Hip hop and RnB, centred on the 2000s and 2010s.
Latin — the most reliable way to get a mixed wedding crowd onto the floor at the same time.
EDM and dance for the late hours.
The 80s, 90s and 2010s as the blocks where the parents' generation sings along.
Whatever is missing, you tell me. Whatever must never play, you tell me too — that list matters just as much.
Common questions
What couples ask about this.
What is harmonic mixing?
A mixing technique where the next song is chosen not only by tempo but by key. Songs in compatible keys blend seamlessly, so there are no audible breaks and the dancefloor does not empty during transitions.
Why do you play in genre blocks?
Because every style change costs you part of the crowd. Blocks of six to ten songs give one group time to settle in. The change comes at the peak of the block and comes harmonically, so it never feels like a cut.
Which genres do you play?
House, hip hop and RnB, Latin, EDM and dance, plus the 80s, 90s and 2010s. We set the emphasis together in advance.
Can we hear you before booking?
Yes. You will find recordings on Instagram and YouTube. For a concrete feeling, a video call is usually more useful than a mix — I can explain how your evening would sound.
Do we plan the start of the evening together?
Yes. We plan not only the first dance but also the first ten songs after it — they decide whether all generations step onto the floor together. From there I carry the night with harmonic mixing until sunrise.
Do we get a recording of the evening?
Yes. From the first dance to the wind-down I record my set, and you receive the uncut mixtape of your wedding night as a gift.
Next step
Tell me your date.
I reply within two working days with an honest assessment — even if I turn out not to be the right DJ for your evening.
Check my date